On Writing for Children

Writing for children is among the hardest work for aspiring writers and, perhaps, the most rewarding. There’s so much to “show” children (remember the show don’t tell rule!) and so much to share with them that it’s difficult to write in a way they will embrace.  Fun, funny, entertaining, touching, honest.  These are just some of the qualities they respond to.   Does your work succeed?  They’ll let you know in a heartbeat. They’ll tell you the good, the bad and the ugly about your work without any preconceived expectations.  These honest reviewers are endearing, however,  because they love new ideas and new possibilities and are just as quick to share the joy they find in your writing.

How do you know what to write about?  You write about something that matters to you - something serious, something heart-warming, something silly or maybe impossible - whatever it is within you.  The Agor series began for me, I suppose, many years ago when, as a child, I’d lie on my back and gaze up at the stars and fill with wonder.  I felt small lying there, gazing upon the infinite, fully aware of what those heavenly bodies were.  What, then, I questioned, would early peoples without  present-day scientific knowledge think of stars, rainbows and other wonders?  Years later, when my own children arrived and we lay on lounge chairs pointing out comets in the August night sky to them, those earlier thoughts returned.  It was thrilling to see our boys experience the newness of each natural wonder.  Their pleasure introduced me to a fictional little boy named Agor.

In writing about Agor and his friends Gonther and Maida, I’ve  held the hope that somehow those feelings of wonder could be regenerated, that the fictional experiences of those characters would help make young readers see our everyday world in a new light.  Time will tell if it’s really working.

There are a number of books that can be used for resources in writing and I will list them a little later.  But whether you’re writing for children or adults, the most rewarding source of learning, I believe, is writing groups.  The Society of Book Writers and Illustrators is, in my opinion, a must for the aspiring and published children’s writer.  (More on that later. )  Writing is a solitary business and it’s important to get out and talk to other people who are knowledgeable about what you are doing.  It’s a never-ending learning process.  Groups like this can help you hone your writing skills as well as teach you the business of writing. 

Writing for children is, in most aspects, no different from writing for adults.  Each story, even a simple picture book, needs a beginning, a middle and an end.  And each story needs an enticing idea around which you can wrap and weave words.  But perhaps the most important ingredient in writing for children is something that is very unique to each of us - that is bringing out the essence of the child within us.   It is that ingredient alone that makes writing for children the most fun – and the most difficult.  The important thing is to reach down within yourself and begin the adventure.

Good luck!

Books I’ve found to be wonderful resources as one begins the journey:

  • Children’s Writers & Illustrator’s Market – updated each year
  • Children’s Writer’s Word Book – Alijandra Mogilner
  • Writing for Children & Teenagers – Lee Wyndham
  • How to Write and Sell Children’s Picture Books – Jean E. Karl
  • The Children’s Picture Book – How to Write it –How to Sell it – Ellen E. M. Roberts
  • Writing Short Stories for Young People – George Edward Stanley
  • Writers Digest Books – Join their bookclub

Also:

  • Newsletters – Children’s Writer & SCBWI Newsletter

The Society of Children’s Book Writers and Illustrators, formed in 1971 by a group of Los Angeles based writers for children, is the only international organization to offer a variety of services to people who write, illustrate, or share a vital interest in children’s literature. The SCBWI acts as a network for the exchange of knowledge between writers, illustrators, editors, publishers, agents, librarians, educators, booksellers and others involved with literature for young people. There are currently more than 19,000 members worldwide, in over 70 regions, making it the largest children's writing organization in the world.

I belong to the Southern Breeze Chapter.  Members of the national SCBWI who live in Alabama, Georgia, or Mississippi are automatically members of the Southern Breeze region, which produces its own newsletter, holds two annual conferences each year, and supports the work of published and "pre-published" authors and illustrators of books for children


For those of you who are interested in writing children’s stories and those of you who already do – published and yet-to-be published – becoming a member of SCBWI not only gives you credibility in the industry, it is a means of becoming involved in developing the craft and learning about the business of publishing through association with the national organization and its chapters.  For information on joining, visit their website – www.scbwi.com.

Judy Keim © 2006 All Rights Reserved
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